As Boston Globe
columnist Sullivan points out in this book, Brown's personal life (sexual exploits, spousal abuse, jail time) obscured a public persona that encouraged African-American children not to drop out of school and demanded that his African-American brothers and sisters respect themselves rather than putting themselves down. At the center of the book is Brown's concert at the Boston Garden on the night following Martin Luther King's assassination in 1968. Because of rising tensions among African-Americans in the city, Mayor Kevin White's first impulse was to cancel Brown's concert. Yet realizing that ticket holders might be just as angry over a canceled concert as they might be impassioned to riot by a raucous one, he and Brown worked out a deal to allow the concert to go on. Once on stage, Brown opened with his by-then famous “Please, Please, Please,” which became that night a rallying cry for his audience to respect themselves and others, just as King had done. Sullivan only briefly traces Brown's rise and fall as a musician from his early days in Edgefield, S.C., to his death in Augusta, Ga., as he recovers a facet of James Brown as a political and racial leader. (Nov.)
