Author Interviews, Profiles, and News

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PW Talks with Stephanie Barron

by Monica Whitebread | 11/05/2001 @ 07:00AM

PW: What led you to select Jane Austen as a sleuth?
PW Talks with Lewis Shiner

by M.M. Hall | 11/05/2001 @ 07:00AM

PW: How would you describe your short fiction?
PW Talks with Mo Hayder

by Adam Dunn | 10/29/2001 @ 07:00AM

PW: You described the incentive for your previous novel, Birdman, as coming from other crimes. Is that the case with The Treatment?
PW Talks with Charles de Lint

by M.M. Hall | 10/22/2001 @ 06:00AM

PW: The Onion Girl is your 47th book and, like your collection, the World Fantasy Award—winning Moonlight and Vine, it's set in Newford. What inspired the creation of this mythic town?
PW Talks with Dean Koontz

by Jeff Zaleski | 10/22/2001 @ 06:00AM

PW: For years your fans have been clamoring for The Book of Counted Sorrows. Why now, and why as an e-book?
PW Talks with Jack Miles

by Henry L. Carrigan Jr. | 10/15/2001 @ 06:00AM

PW: Your new book's title is Christ: A Crisis in the Life of God. What precipitates this crisis in God's life?
Writing Theodore Roosevelt: PW Talks with Edmund Morris

by Edward Nawotka | 10/15/2001 @ 06:00AM

Edmund Morris has spent over 20 years writing about Theodore Roosevelt. Theodore Rex is the second book in a projected trilogy about the great man's outsized life.
PW Talks with Archer Mayor

by Louise Jones | 10/15/2001 @ 06:00AM

PW: What's your background?
PW Talks with Annette Gordon-Reed

by Emily Chenoweth | 10/15/2001 @ 06:00AM

Annette Gordon-Reed is the author of Thomas Jefferson and Sally Hemings: An American Controversy (Univ. Press of Virginia, 1997). She spoke with PW about her latest book, Vernon Can Read! A Memoir, which she co-wrote with Vernon Jordan Jr.
PW Talks with Robert B. Parker

by Jeff Zaleski | 10/08/2001 @ 06:00AM

We figure we've reached Robert B. Parker's house on the winding Cambridge, Mass., street when we spot a restored Victorian whose tiny driveway is crammed with a Jaguar, a Mercedes and a Ford Explorer—the sort of house and cars Spenser himself might own. And there's Parker, in jeans, black T-shirt and sneakers, checking his mail at the top of the stoop.
PW Talks with Lidia Matticchio Bastianich

By Natalie Danford | 10/01/2001 @ 06:00AM

PW: How does Lidia's Italian-American Kitchen differ from your two previous books, La Cucina di Lidia and Lidia's Italian Table?
PW Talks with James Crumley

By Don Herron | 09/24/2001 @ 06:00AM

PW: So how did Milo make it to 60? In The Final Country he gets shot almost as often as he has sex.
PW Talks with Sebastian Junger

By Adam Dunn | 09/24/2001 @ 06:00AM

PW: Can you elaborate on the common theme that runs through your stories as touched on in your introduction?
PW Talks with John Donatich

By Edward Nawotka | 09/17/2001 @ 06:00AM

Donatich is the publisher of Basic Books, with a new sries called Art of Mentoring.
PW Talks with Ann Bramson

By Natalie Danford | 09/17/2001 @ 06:00AM

Bramson is the publisher of Artisan books, a division of Workman.
PW Talks with Michael Viner

By Jeff Zaleski | 09/10/2001 @ 06:00AM

Viner is the president of New Millennium Press, publisher of Hughes.
PW Talks with Jennie Nash

By Christine Haran | 09/03/2001 @ 06:00AM

PW: Why did you choose the title The Victoria's Secret Catalog Never Stops Coming?
PW Talks with Alice Notley

By Brian Kim Stefans | 08/27/2001 @ 06:00AM

PW: While Descent of Alette seems concerned with poetic elements of fantasy rather than the details of life, Mysteries of Small Houses seems to go the other way, being largely autobiographical and directed toward social commentary. Disobedience combines the two. How do you view these books in relation to each other?
PW Talks with Andrew Vachss

By Adam Dunn | 08/27/2001 @ 06:00AM

PW: What made you decide to move the Burke series to the West Coast?
PW Talks with Liz Curtis Higgs

By Jana Riess | 08/27/2001 @ 06:00AM

PW: Your new book, Mad Mary: A Bad Girl from Magdala Transformed at His Appearing, is a bit of a departure from Bad Girls of the Bible and Really Bad Girls of the Bible.

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