Set in a dystopian society wracked by illness and war, the gripping first installment of an epic romantic sci-fi series from bestseller Roth (Poster Girl) explores questions of morality, destiny, and societal pressure. Anyone who contracts the Fever dies, but half come back to life with enhanced abilities. The Talusar Empire embraces this plague, coming to “worship the Fever as a god,” while the scrappy nation of Cedre “view the Fever as what it is: a virus whose fifty-fifty survival rate isn’t worth risking.” Elegy Ahn, second child of the Sword of Cedre, the country’s leader in its never-ending war against the Talusar, was born to be the spare in case anything happened to her mother’s heir. Then a prophecy reveals her far weightier fate: either she or Rava Vidar, a Talusar general with a reputation for brutality, will lead their respective people to victory; which of them succeeds will be determined by the love of one man. As the ensuing political intrigue plays out, Roth complicates the already intricate worldbuilding with the people of Cedre’s belief that they were once contacted by alien beings and their hope that these beings may return to save them. Roth’s careful character work impresses as Elegy comes to accept her destiny. With high stakes, plenty of betrayals, and just a hint of humor, this will have readers eager for more. (May)

Reviewed on 03/13/2026 | Details & Permalink

Allen debuts with a raucous, dimension-spanning sci-fi romance, whose protagonist, Acrasia, is impossible not to root for as she travels through space and time with her sometime enemy, sometime lover Opus Zhao. Acrasia is many things: a moth goddess, a Black trans woman, and a writer fond of sprinkling her speech with French phrases. Opus, meanwhile, is a space pilot, a trans man, and a “fuckboi,” according to Acrasia’s cousin and fellow moth goddess Marina, who is trapped in a mirror world. The expansive, ever-fluctuating universe across which their love story plays out can be slippery to grasp, and Allen refuses to hold her readers’ hands. Dimensions change, names and aliases change, Acrasia and Opus’s relationship changes, all with no warning and little explanation. The prose itself, while always clever, is similarly careening, studded with footnotes, transcribed text exchanges, and even sheet music. Those invested enough in the dynamism of the central duo and their wildly inventive worlds to persevere will be rewarded with psychedelic imagery, tongue-in-cheek humor, and a relationship that proves genuinely moving. It’s an ambitious experiment, and Allen mostly pulls it off. (May)

Reviewed on 03/13/2026 | Details & Permalink

With this twisty series opener, Vincent (Living Dead Girl) lays the groundwork for a complicated mixture of fantasy, romance, and mystery. Alchemist prodigy Amber Fallbrook awakes one morning to discover she’s lost the last two years of memories, including everything to do with her time as a student in the prestigious and demanding Alchemary of Aethermere. With the dreaded third year Trials fast approaching, she must somehow reconstruct her education and skills from scratch. If she refuses to participate, she’ll be expelled; if she fails, she risks her life. Her only allies are brothers Wilder and Desmond Gregory, her childhood friends, but she’s uncertain how deep her relationship with either of them now runs, or if they can be trusted. As Amber desperately attempts to cram two years of work into six weeks, she also investigates the cause of her amnesia, which may be tied to the Alchemary’s mysterious history. The plot sometimes feels overloaded as Amber is emotionally torn between two very different brothers, swept up by the Alchemary’s secrets, and driven to reclaim what she’s lost, but Vincent does a good job of balancing these elements and crafting subtle tension. While the larger worldbuilding remains murky and answers, when they come, are delivered in somewhat unsatisfying infodumps, the attention to atmospheric detail and alchemical intricacies makes this memorable. Readers will be eager for more. (Apr.)

Reviewed on 03/06/2026 | Details & Permalink

The harrowing first short story collection from Cassidy (Mary) is a dense exploration of madness and depravity complete with a healthy dose of gore. While all 13 tales are chilling, Cassidy nimbly hops genres throughout—including a foray into poetry in the fungal fairy tale “A Fruiting Body.” The standout opening novella, Rest Stop, follows a young bassist in a metal band who gets trapped in a desolate gas station with a supernatural killer. In the dystopian future of “Generation,” babies develop bizarre mutations in utero, while “Run for Your Life” offers a morbid, time-bending reimagining of the origins of the Beatles. Cassidy’s biting sense of humor shines through the mounting dread of these relentlessly upsetting tales. Those looking for restraint when it comes to blood and guts won’t find it here, but there’s a refreshing streak of irreverence amid the gloom and clever nods to the canon of horror writers that paved the way. Splatterpunk fans will be thrilled. (May)

Reviewed on 03/06/2026 | Details & Permalink

Stephens’s middling debut and duology launch sets classic urban fantasy tropes against the backdrop of a contemporary New Orleans teeming with the supernatural. Seraphine “Phine” Barreau has spent a decade hiding from the magical world when she wakes to a magical shock signaling that she has been chosen to succeed her mother as the Prime, most powerful of all witchkin. Her inheriting this position breaks the mold, as the role traditionally alternates between the heads of the two witchkin magical Houses. This, combined with Phine’s special ability as a Syphon, one capable of draining people’s essence or stealing their powers, makes many in the magical world mistrustful of her. But with a mysterious magical blight threatening witchkin, Phine must rebuild relationships with New Orleans’s supernatural communities—encompassing shape-shifters, vampires, and Sidhe—while reestablishing a connection with her older sister, Josephine, the family’s golden child. Not much feels fresh, and the narrative struggles to balance personal and world-altering stakes. Stephens sets up some powerful alliances for Phine and lays the groundwork for a climactic confrontation in the second volume, but readers may be left unsure whether the route there will be enough to hold their interest. (Apr.)

Reviewed on 03/06/2026 | Details & Permalink

This unnerving haunted house tale from Pokwatka (The Parliament) elegantly blends domestic drama and psychological horror. Tenn, a former filmmaker who has set aside her ambitions for marriage and motherhood, moves with Ward, her husband of 14 years, and their children into her dream home, which Ward bought for her in hopes of getting their struggling relationship back on track. But as Tenn’s sense of isolation deepens and strange disturbances ripple through the home, she begins to suspect that something malignant has taken root within its walls. Pokwatka pulls taut the line between perception and reality as Tenn questions whether the threat stalking her family is supernatural or born from the quiet accumulation of compromise, expectation, and resentment in her marriage. The author excels at crafting a creepy atmosphere, using shifting perspectives and domestic detail to blur the boundaries between literal haunting and psychological fracture. Though the structural pivots and gradual escalation may test the patience of readers seeking a more immediate payoff, the ambiguity ultimately reinforces the narrative’s emotional core. Interrogating motherhood, identity, and the cost of domestic bliss, this resonant horror story provides much to chew on. Agent: Stacia Decker, Dunow, Carlson & Lerner. (May)

Reviewed on 03/06/2026 | Details & Permalink

Kelli Reynolds, the autistic heroine of this thrilling, prescient, and emotionally rich sci-fi adventure from Hoffmann (The Outside), is one of the few humans on Jupiter “talented enough to get a steady wage for the kind of work a machine couldn’t do.” She works as a script supervisor for a popular pirate-themed television show produced by Inspiration, the AI megacorporation that bought up the rights to all existing stories and is now the only approved source of information and entertainment. Kelli’s surprised to hear from Rowan, an ex from her school days who has since undergone illegal gender transition, who reaches out for help clearing his debts. Only after agreeing does Kelli learn that Rowan is a smuggler of illegal media working for a crime syndicate, and soon she finds herself embroiled in a dangerous heist. This high-stakes plot is complemented by flashbacks to the leads’ school days, when Rowan, then known as Am, used prompt engineering to thwart the robot assigned to help Kelli mask her autism (by, for example, enforcing eye contact) and the pair spent their days making up stories while slowly realizing that their desires fell outside of allowed options. Both timelines gracefully build toward crisis as Kelli navigates situations she struggles to fully comprehend. It’s an exceptional balancing of action, interior turmoil, and chilling dystopia. Readers worried about the future of storytelling in the age of AI will gobble this up. Agent: Hannah Bowman, Liza Dawson Assoc. (May)

Reviewed on 03/06/2026 | Details & Permalink

For generations, in the world of this fun if familiar arranged-marriage romantasy from Kova (A Dance with the Fae Prince), one human queen has been chosen from among the young women in the town of Capton and sent to the elven lands to ensure the balance of magic. Luella, Capton’s only trained healer, feels she owes the town everything after the locals came together to send her to school. To pay them back, she’s hard at work trying to find a cure for the withering sickness known as the Weakness that is decimating Capton’s population. When the elf delegation arrives to claim their queen, almost everyone is shocked when they choose Luella and she must return with the elves to their land. There are hints of the Hades and Persephone myth in this setup, which Kova uses to great effect as she dives into Luella’s struggle to balance her newfound role with her deeply held values and lingering desire to do right by her people. Her blossoming relationship with the king, Eldas, is built on mutual discovery and respect as the pair work together to rebalance the worlds despite politics and generational trauma. The plot is fairly predictable, but Kova’s delicious attention to detail and elegant characterization keep the pages turning. The author’s fans will not be disappointed. (Apr.)

Reviewed on 03/06/2026 | Details & Permalink

Drawing from mythology and Elizabethan literature, Christopoulou’s ambitious but somewhat overwrought debut offers a muddled melange of romance and redemption. The heroines are two of drama’s most virulent criminals: Shakespeare’s Lady Macbeth, who helped her husband murder his way to the Scottish throne, and Klytemnestra, whom Aeschylus showed rewarding her husband’s return from Troy by butchering him in his bathtub. After these canonical killings, Shakespeare’s weird sisters, here revealed to be one and the same as the Fates of Greek mythology, summon both women, now going by Anassa and Claret, respectively, and set them on a quest to save their souls by protecting innocents like Helen of Troy and Ophelia from meeting their tragic fates. After narrowly avoiding killing each other, the antiheroines fall into rapturous love as they travel as “partner[s] in penance” through shadowy realms of intersecting stories, encountering classic characters and overcoming sinister wraiths sent by the Mistress of the House of Books. Christopoulou packs her leads’ lightly episodic adventure, told in alternating first person, with classical allusions but doesn’t engage particularly deeply with her source material. The result is inconsistent characterization and occasionally clunky prose, especially in the dissonance between generally effective descriptive passages and jarringly contemporary-feeling dialogue. (At one point, Claret instructs Anassa to “Keep it together please” while Anassa bemoans “I’m such an idiot.”) Readers in it for the romance may be pleased, but others will long for more depth. (May)

Reviewed on 03/06/2026 | Details & Permalink

Hairston (Archangels of Funk) mixes a serial killer investigation with elements of urban fantasy and sci-fi to create a cozy, magical, and strikingly unique concoction. She pits a quirky cast—headlined by cleaner and aspiring detective Paula B. Queenie, podcaster An’qwenique Robinson, and multiverse-traveling St. Bernard/poodle mix Oona—against a mysterious villain targeting a “necklace of picturesque New England towns.” Paula opens the story musing that “everybody is entangled in miracles and mysteries,” and Hairston demonstrates this aptly over the ingeniously constructed first section of the book. It toggles between Paula and An’qwenique, narrating from “today” and “yesterday,” respectively, as a neighbor is murdered and An’qwenique and many others become stranded at the mysterious Redemption Center, a crumbling mansion, with seemingly no way out. Oona and her magic red wagon lead everyone back to where they belong, but not before the killer strikes again. Hairston balances a phantasmagoria of mystical and interdimensional elements with a cast of sharply drawn characters, creating very real-feeling people moving through a delightfully irreal world. The result is a lively and lovely tale of community triumphing over evil. (May)

Reviewed on 03/06/2026 | Details & Permalink